Tchaikovsky
Stavros Niarchos Hall
Tchaikovsky

Ballet - Cayetano Soto, Dario Suša / Pyotr Ilyich Tchaikovsky

February 2025
Δημιουργική Ομάδα

The performances on the 14th and 16th of February will be fully accessible to individuals with sensory impairments

 

 

Conductor: Philippe Forget
Choreography, concept, direction: Cayetano Soto and Dario Suša
Staging, costumes, lighting: Dario Suša and Cayetano Soto

 

 

 

Πρωταγωνιστές Παράστασης

 Dancers

Christina Makridou, Anna Frangou, Elena Kekkou, Magda Koukou-Ferra, Marita Nikolitsa, Areti Noti, Marta Rivero de Miranda, Eleftheria Stamou, Zoi Schoinoplokaki, Despina Chrysostomou, Ariadni Filippaki, Olga Markari, Maria Tzouli, Cecilia Hatziemmanouil

Vangelis Bikos, Stelios Katopodis, Manex Alberdi, Yannis Gantsios, Yannis Mitrakis, Stefano Pietragalla, Daniele Pecorari, Kaito Takahashi, Yorgos Hatzopoulos, Pantelis Haratsidis

 

 

With the Orchestra of the Greek National Opera

 

 

 

Duration: approximately 1 hour and 35 minutes
Interval of 20 minutes

 

Ticket prices: €15, €20, €30, €35, €42, €50, €60, €75
Students, children: €12
Limited visibility seats: €10

 

 

 

 

 

 

Stavros Niarchos Hall

Ballet

Tchaikovsky

Cayetano Soto, Dario Suša / Pyotr Ilyich Tchaikovsky

Available Dates

  • 14, 16, 21, 22, 23 Feb 2025

Ballet • New production

Stavros Niarchos Hall of the Greek National Opera – SNFCC

Starts at: 19.30 (Sunday: 18.30) | clock

 

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Lead Donor of the GNO

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Production sponsor

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The Greek National Opera Ballet presents a new fascinating dance performance inspired by the life of the great Russian composer Pyotr Ilyich Tchaikovsky and choreographed by Cayetano Soto. Although we are well aware of the unsurpassable music he composed and the way it has influenced and shaped classical ballet, it remains largely unknown that the renowned composer did not get to live his life as he had hoped. Distinguished choreographer Cayetano Soto, in collaboration with Dario Suša, creates a highly intense performance about the inner division of the composer of The Nutcracker, Swan Lake, and The Sleeping Beauty.

Tchaikovsky seems to have been torn between the societal conventions of 19th-century Russian society and his personal desires. Although he struggled to accept his true nature in order to find himself, the pressure of society dominated his entire life until his tragic death. With their distinct dance vocabulary, comprising nuanced details and grotesque adaptations of traditional movements, Soto and Suša create a ballet inspired by the unreleased letters and other archival documents from the state Tchaikovsky House-Museum, published in Moscow in 2009.

Through this modern and avant-garde performance, the audience will have the chance to gain insight into the less glamorous moments of the life of a legendary music figure, and discover the challenges he faced, his courage, and his exceptional genius. At the same time, dancers are called upon to handle the piece with exceptional technical aptitude, imagination, and immense sensitivity.

Cayetano Soto has drawn the attention of the dance community since his debut choreography, Plenilunio, created for the Bayerisches Staatsballett (Munich). This piece earned him the title of “Best Young Choreographer to Watch” from the German magazine Tanz Aktuell. He has collaborated with some of the most important companies worldwide, such as Nederlands Dans Theater, Stuttgarter Ballett, Royal Ballet of Flanders, Ballett Zürich, Compañía Nacional de Danza, Czech National Ballet, Balé da Cidade de São Paulo, Perm Opera Ballet Theatre, and others. He has received the first prize at the “Uncontainable” competition at the Royal Ballet of Flanders for his piece 24FPS, while in 2018 he taught in the modern dance programme “Jacob’s Pillow”.

The musical script accompanying the choreography features compositions by Tchaikovsky, both choral and orchestral. These include: Hymn No. 6 from the All-Night Vigil, Op. 52, the amazing Finale of the “Pathétique” Symphony, the masterful “Elegy” from the Serenade for Strings in C major, Op. 48, the famous “Polonaise” from Act III of his opera Eugene Onegin, the “Canzonetta” from the Violin Concerto in D major, Op. 35, the “Scherzo” from his Symphony No. 2 (Little Russian Symphony), and other pieces.

 

 

Fully accessible performances of the ballet Tchaikovsky

The performances of Tchaikovsky will be fully accessible on the 14th and 16th of February 2025, providing an inclusive audiovisual experience for all audiences in collaboration with ATLAS E.P. In this context, there will be designated seats for individuals who are deaf or hard of hearing and use Greek Sign Language, places for those who rely on captions (CAPS) covering the entire audio channel, as well as seats for individuals who are blind or have limited access to the visual channel of communication and use the audio description (AD) service. Guide dogs for the visually impaired will also be permitted.

The full accessibility services for this production are funded by the Ministry of Culture, as part of the project“SUB.1.1.6 Attracting 65+ individuals and persons with disabilities to events of the Greek National Opera”. This project is implemented as part of the “Greece 2.0 - National Recovery and Resilience Plan” with funds from the European Union-NextGeneration EU.

Audience members who wish to use the accessibility services are requested to purchase their tickets at the GNO Box Office, over the phone at 2130885700, or via email at This email address is being protected from spambots. You need JavaScript enabled to view it.. If you need assistance with your reservation, you can also contact ATLAS E.P. at 6993507553 or via email at This email address is being protected from spambots. You need JavaScript enabled to view it..

 

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