Born in São Paulo, Brazil and studied at the Conservatorio de Música Gilardo Gilardi of La Plata in Argentina. She was a member of the Ópera Estudio and the Coro of the Teatro Argentino de la Plata. She has performed principal roles in Anna Bolena, Maria Stuarda, Norma, Il trovatore, Tosca, Nabucco, Adriana Lecouvreur and Andrea Chénier. She sang in Madama Butterfly in 2014 at Teatro Colón. She participated in the 15th Montserrat Caballé International Singing Competition in 2015 in Zaragoza, Spain, and won the second prize in the 1st International Singing Competition of Ópera Mendoza, in 2019. Also in 2019, she was distinguished as Outstanding Personality of Culture by the Concejo Deliberante of La Plata. Among other venues, she sang at the Teatro Colón in Mar del Plata, the Teatro Argentino de La Plata, the Teatro Avenida and the Teatro El Circulo de Rosario. She teaches in the department of Lyrical Chamber Music Repertoire at the Conservatorio de Música Gilardo Gilardi and in the Escuela de Arte of Berisso. She is the founder and director of the Masciadro Cultural Centre.

Argentinian costume designer with a long career in theatre and audiovisual media. She has designed costumes for opera, dance and prose theatre. She has worked for the most important theatres in Argentina such as Teatro Colón, Teatro San Martín, Teatro Alvear and Teatro Cervantes, among others. She has participated in productions in the United States, France, Monte Carlo, Greece, Czech Republic, Poland, Latvia, Chile, Mexico, Colombia, Brazil and Uruguay. She also teaches costume design at the Instituto Superior des Artes del Teatro Colón. She has given seminars for the UNAM in Mexico and the National University of Arts in Buenos Aires.

He has designed the lighting of opera productions in collaboration with Rubén Szuchmacher, André Heller-Lopes, María Jaunarena and Ana D’Anna, at the Teatro Colón and several other theatres in Latin America and Europe. He has collaborated with Diana Theocharidis in dance productions. As a set and lighting designer, his work was highlighted in Gandini en escena, at the CETC. He has written two essays on stage lighting, La trampa de Goethe and La iluminación escénica. He has won numerous awards, including a Konex mention in 2011. He is a professor at the National University of Arts and a member of the Association of Scene Designers of Argentina (ADEA).

She was trained in various disciplines, dance, music, philosophy and psychology, in institutions such as the Taller de Danza Contemporánea del Teatro San Martín and the University of Buenos Aires in Argentina, at the IRCAM in France, as well as with various teachers, such as Alwin Nikolais and Malou Airaudo. Her shows have been performed in Argentina, Chile, Brazil, Venezuela, Mexico, Italy, France, Poland and Finland and are closely linked to music. She has collaborated with composers such as Giacinto Scelsi, Mauricio Kagel, Pascal Dusapin, Kaija Saariaho, Martín Matalon and Pablo Ortiz. As a choreographer, she worked in opera houses such as Teatro di San Carlo in Naples, Opera Krakowska, Teatro Colón, Teatro Argentino, Sodre in Montevideo, Palacio Euskalduna in Bilbao, Teatr Wielki in Poznań, Olavshallenn in Trondheim, Thessaloniki Concert Hall and National Operas in Finland and Croatia. In addition, she has staged musical works at the Teatro Colón, the Centquatre in Paris and the Finnish Opera, among other venues. She was Director of Dance of the Fondo Nacional de las Artes, of the Company of the UNA and the Teatro de la Ribera. She is the director of the Centro de Experimentación del Teatro Colón.

Born in Athens, he received his piano diploma from the Greek National Conservatoire (1991) under the tutelage of Ηara Kalomiri. He attended classes at Juilliard School in New York and continued his conducting studies at Royal Scottish Academy of Music and Drama in Glasgow with an Athens Academy Scholarship and an Alexander Gibson Scholarship. He has given many concerts at the Literary Society Parnassos Hall and participated in various cultural events in multiple cities in Greece. He has worked as a music teacher in secondary education and at Philippos Nakas Conservatory; since 1995 he has also taught piano and choral conducting at the Greek National Conservatory in Athens. As chorus master of the Manolis Kalomiris Children’s Choir (1992-2000), he has performed at GNO, Athens Epidaurus Festival and Megaron – The Athens Concert Hall. Since 1994, he has worked as a répétiteur for more than 60 GNO productions, including Turandot, Cavalleria rusticana and Pagliacci, Die Fledermaus, etc. He was first appointed Assistant Chorus Master of GNO (2001-03), and later Chorus Master from 2005 to 2011. Since 2011, he has been Assistant Conductor of the GNO Orchestra. He was Studies Advisor of the GNO Opera Studio. As a conductor, he has worked with Athens State Orchestra, Orchestra of Colours and GNO Orchestra, while several of his works have been performed at Megaron – The Athens Concert Hall.

French-Uruguayan playwright and theatre director, he lived his childhood and adolescence in Montevideo and currently lives in Paris. After studying classical philology, he decided to devote himself entirely to writing and theatre direction. His pieces have been distinguished on several occasions with prestigious awards, such as the National Drama Prize of Uruguay, the Florencio Prize for Best Playwright, the International Casa de las Américas Prize and the Theatre Award for Best Text in Greece. In 2017 and 2020, his plays Thebes Land and The Rage of Narcissus received the British Off West End Award in London. Among his best-known titles are Slaughter, Barbarity, Kassandra, Darwin’s Leap, Thebes Land, Ostia, The Rage of Narcissus, The Bellow of Düsseldorf, When You Walk Over My Tomb, Traffic, Confessions and Tierra. Most of his works have been translated into multiple languages and published in different countries. In March 2022, he premiered his piece Zoo at the famous Piccolo Teatro in Milan. In recent years, his shows have toured international festivals all over the world and, by having a presence on five continents, Blanco has become one of the most widely performed Spanish-language playwrights of his time.