Page 10 - Programme
P. 10

Opera Interactively Into Schools                                      10


     Greek                        Over the last years the planning and implementation of
                                  educational and social programmes has been one of the
     National Opera               main objectives of the Greek National Opera’s programming.
     Artistic                     Among other things, it has been a great challenge for us to
                                  try to introduce opera to as many students as possible all
     Director’s                   over Greece as an art form that can converse with all ages,
     note                         while creating fertile ground for free expression, dialogue, the
                                  cultivation of aesthetic and critical thinking skills, as well as
                                  the development of new perspectives.

                                  This year’s programme Opera Interactively Into Schools
                                  along with Kornilios Selamsis’ work Offenbach’s La belle
                                  Hélène is aimed at teenagers, and I believe that it can meet
                                  the dynamic, the concerns and the challenges faced by
                                  modern-day youth in the most insightful way.

                                  It would be a special joy for all of us here at the Greek
                                  National Opera to contribute to the eradication of
                                  stereotypes often attached to opera as a genre and, through
                                  our programme in schools, to impart the excitement of lyric
                                  art to our students.
                                  I cordially thank all those who contributed to the realisation
                                  of this programme as well as the teachers and students of
                                  the participating schools for their welcoming reception.

                                  Giorgos Koumendakis
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